Jennifer Anne Bennett grew up in Lemon Grove, California. She holds a BA from San Diego State University and an MFA from Bowling Green State University. Jennifer is a practicing painter and printmaker who also dabbles in ceramics. She enjoys learning about, and from her students at Grossmont College where she is a Professor of Art.  


Initially, I was intrigued while watching the “Indianapolis 500” on a television with poor reception and became mesmerized by patterns of pixilation layering over the speedway and its surrounding terrain. I found the unnatural colors and glitch patterns blending into a vaguely discernible horizon captivating. I began to construct works that integrated landscape imagery from observation, film, and television. By exploring beauty in “the natural,” along with patterns of human intrusion upon it, this work is a meditation on historical and contemporary land use, as seen through a veil of abstraction.

As of late, my approach to making work is much more process driven. I am interested in chance and seeing how the elements come together and how far you can push things before they fall apart. Working with many layers of materials such as paint, plants, make-up, wax, salt, I seek ways to transform these things into something unexpected and new. I am interested in how atmosphere, color, and light can envelop your senses. Working more from my imagination, I create what I call landscapes, that allow ample room for a more personalized interpretation of space. 


b. 1974 Honolulu, HI.    Lives in San Diego, CA


2001   MFA   Bowling Green State University, Bowling Green, OH
                     Studio Art Centers International Florence, Italy
1998    BA    San Diego State University, San Diego, CA

Select Exhibition Record


You Are Here, San Diego Central Library

Campus Creatives: from the classroom to the museum, California Center for the Arts, Escondido

Feminism Now, Shoebox Gallery, Los Angeles and Krogen Amerika, Stockholm, Swededn


Nasty Women, Helmuth Projects, San Diego, CA

All Natural, San Diego State University Downtown Gallery

Fiesta of Prints and Bookmaking, Athenaeum Art Center, San Diego, CA

Feminism Now, Gallery D, San Diego, CA
Art Auction and Exhibition, Museum of Contemporary Art San Diego, La Jolla, CA
Wouldn’t it be nice… Selections from San Diego, H Gallery, Mesquite, TX
MAS Attack 11, San Diego Art Institute, San Diego, CA   
Cuts and Links: Bhavna and Friends, The Rose Art Gallery, San Diego, CA
Monotypes: Jennifer Anne Bennett, Bay Park Press, San Diego, CA
Labor Migrant Gulf 2, Uri Eichen Gallery, Chicago, IL
Object Object!!, Helmuth Projects, San Diego, CA
Labor Migrant Gulf, Southwestern College Art Gallery, San Diego, CA
15 Minutes of Fame, San Diego Museum of Art, San Diego, CA
Gift, Feminist Imagery Group, San Diego Mesa College Art Gallery, CA
Altered Horizons, Art Produce, North Park, CA
Object Object!, Helmuth Projects, San Diego, CA
Trade Show, California – Turkey, San Diego, Los Angeles, Turkey
OMA Regional 5: Oceanside Museum of Art Juried Exhibition, Oceanside, CA
Painting, Works by Jennifer Bennett and Robin Bright, Hyde Art Gallery, El Cajon, CA

Feminism Now, Gallery D, San Diego, CA (catalog)
Under Pressure: printmaking today, Hyde Art Gallery, curator, (catalog)
Ross, Andrew, Gulf Labor: High Culture, Hard Labor, OR Books 2015
56th Venice Biennale, The Arena Plan, Gulf Labor. “A New Wave of Arts Activism?” slide presentation on Gulf Labor West, August 5, 2015, Venice, Italy
Object Object!!: A Selection of Smaller Works, Helmuth Projects (catalog)
Chute, James. “Artists and Workers Unite”. March 12, 2014
Perez, Andrew, Southwestern Sun, “Gatekeeper’s Children,” Feb. - April 2014
Bittar, Doris, "Bi-Cultural Settlements: Gulf Labor and Global Solidarity,” Project Muse, WSQ: Women’s Studies Quarterly, Vol 42, Nos 3-4, Fall/Winter 2014, pp 253-266
Object Object!: A Selection of Smaller Works, Helmuth Projects (catalog)
Takas Sergisi/ Trade Show, Kultur Merkezi Mithatpasa Sanat Galerisi (catalog)
Koppman, Debra. “Jennifer Bennett and Robin Bright.” Artweek. December 2006
Kromer, MaryAnn, “Paintings portray possibility, potential.” Advertiser-Tribune. 30 October 2005
McGilvery, Kelly. “The fragile beauty of art in war (as inspired by a garlic painting).” Dialogue. November/ December 2001, p. 80
Langston, Bonnie. “Waxing Artistic.” Daily Freeman. 13 September 2001, p. D1
“Event Briefs; Encaustic Works 2001.” Blue Stone Press. 7 September 2001
Lane, Dakota. “Ancient encaustics and modern movies; the art that remains.” Art Box, Almanac. 27 September 2001, p. 5
Encaustic Works 2001, Muroff-Kotler Arts Gallery (catalog)
Pincus, Robert L. “Full Steam Ahead: Street People; Taking Art to the Public was a Major Wake-Up Call for the City.” The San Diego Union-Tribune. 16 September 1999, Night & Day: p. 34
Pincus, Robert L. “Floating Images: emblems and relics are the backdrops for two exhibitions.” The San Diego Union-Tribune. 18 May 1999, Night & Day: p. 53